Your guide to Design
in Milan, everyday.

A tribute to the person of Mario Mastropietro in his 50 years of activity.
The exhibition is a first-person account of a professional career that has seen the creation of editorial series, monographs, historical texts and magazines, distinguished by an innovative approach and, above all, by the inauguration of real strands of investigation, such as that of exhibition design.

Materials, cultural influences, and shared dialogues come together in an exhibition that celebrates the art of handcrafted design, innovation, and the inspiring power of the feminine figure.
Curated by Eliana Lorena and her Atelier.

The Italian Photography Institute proposes a new vision of design through 32 portraits of female designers. The project, curated by designer Maria Christina Hamel, brings out a creative universe that for the first time is put under the spotlight thanks to the gaze of 10 female photographers of the Istituto Italiano di Fotografia.

Elena Salmistraro, one of the most eccentric and recognised voices of contemporary design, presents her first solo exhibition: a fascinating journey between design, art and material experimentation, where the concept of emptiness becomes a space of creative and alchemic transformation. 

The exhibition is divided into a path where materials such as ceramic, glass and metal are combined in unprecedented concrete alchemies, giving life to a symbolic and poetic universe that embraces the sinuous and organic forms typical of Salmistraro's expressive language.

Curated by Silvana Annicchiarico.

The exhibition, curated by Maurizio Navone, is a unique journey through the history of Olivetti design. It celebrates innovation with iconic projects such as the P101 - narrated by Gastone Garziera, the Divisumma 18, the Valentine, and the development of the Serie 45.
The setup, inspired by Hans von Klier's modular display concept, is enriched with interviews and insights from the original catalog.

Two halves of soft upcycled foam intertwine into a unique form that invites physical contact, offering an accessible and tangible experience. Isolated behind the window, the character becomes a provocation: are we still able to engage authentically with the world around us, or are we doomed to remain distant observers, eager to connect but limited in doing so?

An exhibition dedicated to the relationship between dogs and design, curated by Kenya Hara from Japan, explores how architecture and the built environment can strengthen the bond between living beings.

The exhibition features innovative works by internationally renowned architects, with kennels and shelters that meet the needs of dogs and encourage cohabitation. The project, accessible online with free instructions, invites the public to create spaces designed for their animals, promoting a global dialogue on inclusive and shared architecture.

10 Corso Como dedicates an exhibition to the Italian architect, designer, historian and theorist Andrea Branzi one year after his death, celebrating his vision and radical works. The exhibition focuses on Branzi's forward-looking approach, which crossed applied arts, domestic and urban space with an unprecedented sensitivity. 

“I am connected, for several reasons, to the English tradition. (...) The English understood a secret of design: 'To look at usual things with unusual eyes'.” Vico Magistretti in Abitare, no. 314, January 1993.

The exhibition explores and deepens the relationship between Vico and the UK: the projects, correspondences, collaborations, conferences and awards, but also the works and memories of his students at the Royal College of Art in London.

A solo exhibition of the artist and designer Christoph Radl, who presents for the first time in the gallery 60 watercolours inspired by the ceramic figures of the Mimbres, a millenary pre-Columbian culture.

FAT BOY is a journey through art history in the company of a plump character who in sixty watercolours ‘stages’ works by famous artists from Raphael to Maurizio Cattelan.

Delvis Unlimited presents Metallica, an installation that develops new forms of dialogue and symbiosis with and between different talents: Derek Castiglioni, Duccio Maria Gambi, Stefano Del Vecchio, Matteo Cibic.

The Delvis Unlimited gallery entrusted the creative direction of Metallica to Matteo Cibic. The designers' gaze focused on the material, the metal that makes up the landscape built by man and in which man finds himself in his everyday life.

Opening on RSVP: studio@delvisgroup.it

The exhibition seeks to represent the creative interests of Elio Fiorucci, Italian designer, cool hunter and entrepreneur. From the 1960s on, the Fiorucci brand revolutionized lifestyle, fashion and the contemporary art scene in Italy. 
The exhibition includes Elio Fiorucci's voice—rendered through previously unpublished recordings—which traces some personal moments and is put in dialogue with the voices of other protagonists of the designer's life story.

Curated by Enrico Morteo and Orsina Simona Pierini, NELLE CASE - MILAN INTERIORS 1928-1978 is not a traditional exhibition, but an overview, a reflection and an unmissable opportunity to reread an extraordinary chapter in the history of Italian architecture, allowing oneself the pleasure of peeking inside famous houses to grasp their exceptionality and originality.

The initiative stems from the book NELLE CASE - MILAN INTERIORS 1928-1978, recently published by Hoepli, which recounts the history of living in Milan from the inside.

The new chapter dedicated to Ettore Sottsass celebrates his vision of architecture through a collection of previously unpublished drawings. The exhibition, housed in the atmospheric Sala Sottsass, brings together sketches on the theme of landscape and ruins, displaying works from the post-Memphis period. 

The enlargements of the drawings are accompanied by reflections, including excerpts from the text ‘Ruins’, which reveal Sottsass's focus on living as opposed to what is visible on the outside.

The exhibition Forme mobili explores movement as design action, linking body, silhouette, gesture and structure through ten sections of Triennale objects.

Three new areas of research are introduced: fashion, nautical and illustration, which relate works and materials. The path culminates in the Design Platform, dedicated to exhibitions by contemporary designers, with an exhibition by fashion designer Monica Bolzoni.

A celebration of the Line 1 (1964) and the storytelling of the path of the sign that Albini and Helg began to design in the 1950s. Also on show are the Tre Pezzi Metropolitana edition armchairs made by Cassina.

An exhibition that retraces the years of Galtrucco's commercial activity, told in a temporal narrative path that starts in the 1920s up to the beginning of the new millennium. The exhibition is divided into two sections: the first, curated by Alessandra Coppa, is dedicated to Galtrucco's communication through its shops, shop windows and advertising; the second, curated by Margherita Rosina and Enrica Morini, focuses on the fabrics sold in its spaces.

The Museum of Italian Design celebrates the centenary of Triennale Milano with a new path that starts from the foundation of the institution in 1923 and ends with the development of technological, material and social research that has transformed the identity, aesthetics and main features of design Italian. The exhibition itinerary presents over 300 objects from the permanent collection which, when related to the history of the institution, tell the story of Italian design through the reconstruction of some domestic interiors. A journey that culminates in the Design Platform, a space that hosts temporary exhibitions of young designers and new forms.

The Museum of Italian Design is a Permanent Exhibition of Triennale MIlano

The exhibition DesignUP - seamless solutions is the new thematic in-depth exploration of the permanent collection of the Compasso d'Oro award that aims to represent each product as the result of a complex system, solutions of continuity in fact, that give iconic Italian design objects their uniqueness. The exhibition project highlights the most specific features of what we now call Made in Italy, and how design culture has permeated all the different stages of the country's development.