Your guide to Design
in Milan, everyday.

The exhibition seeks to represent the creative interests of Elio Fiorucci, Italian designer, cool hunter and entrepreneur. From the 1960s on, the Fiorucci brand revolutionized lifestyle, fashion and the contemporary art scene in Italy. 
The exhibition includes Elio Fiorucci's voice—rendered through previously unpublished recordings—which traces some personal moments and is put in dialogue with the voices of other protagonists of the designer's life story.

Curated by Enrico Morteo and Orsina Simona Pierini, NELLE CASE - MILAN INTERIORS 1928-1978 is not a traditional exhibition, but an overview, a reflection and an unmissable opportunity to reread an extraordinary chapter in the history of Italian architecture, allowing oneself the pleasure of peeking inside famous houses to grasp their exceptionality and originality.

The initiative stems from the book NELLE CASE - MILAN INTERIORS 1928-1978, recently published by Hoepli, which recounts the history of living in Milan from the inside.

Through the work of 12 creatives and designers, the exhibition ‘Obsessive-Inventive’ reflects a personal and collective investigation. An exhibition that explores design as a discipline that questions, questions, discovers. Creation represents both the result and the very essence of obsession, which allows the known to be broken down and recomposed into new forms, going beyond the limits of ordinary thought. 

An experimental exhibition inviting the public to explore design as a tool for understanding our time and imagining the future. A ‘meta-exhibition’, an exhibition experiment that intends to encourage a participatory approach between museum and people, inviting them to embark on a process of discovery, questioning sustainability, nomadism and responsible living.

A sustainable, participatory exhibition open to the contribution of visitors, who will be able to expand the narrative with their own ideas.

The new chapter dedicated to Ettore Sottsass celebrates his vision of architecture through a collection of previously unpublished drawings. The exhibition, housed in the atmospheric Sala Sottsass, brings together sketches on the theme of landscape and ruins, displaying works from the post-Memphis period. 

The enlargements of the drawings are accompanied by reflections, including excerpts from the text ‘Ruins’, which reveal Sottsass's focus on living as opposed to what is visible on the outside.

The exhibition Forme mobili explores movement as design action, linking body, silhouette, gesture and structure through ten sections of Triennale objects.

Three new areas of research are introduced: fashion, nautical and illustration, which relate works and materials. The path culminates in the Design Platform, dedicated to exhibitions by contemporary designers, with an exhibition by fashion designer Monica Bolzoni.

A journey through objects, interiors, and installations that have defined Radical Design and Studio Alchimia, exploring experimentation and innovation.

The exhibition narrates his vision, spanning drawing, publishing, and critical reflection on the role of architecture in society. A visual path through works that have interpreted and anticipated the spirit of the times. Design Platform hosts this tribute to a master who has seamlessly combined research and poetry. A unique opportunity to immerse yourself in his extraordinary creativity.

A celebration of the Line 1 (1964) and the storytelling of the path of the sign that Albini and Helg began to design in the 1950s. Also on show are the Tre Pezzi Metropolitana edition armchairs made by Cassina.

An exhibition that retraces the years of Galtrucco's commercial activity, told in a temporal narrative path that starts in the 1920s up to the beginning of the new millennium. The exhibition is divided into two sections: the first, curated by Alessandra Coppa, is dedicated to Galtrucco's communication through its shops, shop windows and advertising; the second, curated by Margherita Rosina and Enrica Morini, focuses on the fabrics sold in its spaces.

2025 marks the centenary of the Exposition internationale des arts décoratifs et industriels modernes in Paris, the event that marked the establishment of the "Style 1925" or Art Deco. To celebrate this anniversary, the exhibition will present the public with extraordinary examples of Italian and European decorative arts, from glassware to porcelain to majolica, from textiles to furniture and jewellery, as well as paintings, sculptures, drawings and advertising posters, to restore as much as possible the climate and atmosphere of an unrepeatable and fascinating era. 

The exhibition examines the creative process leading up to the making of a film by exploring storyboards and other materials such as moodboards, drawings and sketches, scrapbooks and notebooks, annotated scripts and photographs. Set up in the spaces of the Observatory, it includes more than a thousand elements created between 1930 and 2024 by more than 50 authors including directors, cinematographers, artists, graphic designers, animators, choreographers and other figures related to film and video production.

The Museum of Italian Design celebrates the centenary of Triennale Milano with a new path that starts from the foundation of the institution in 1923 and ends with the development of technological, material and social research that has transformed the identity, aesthetics and main features of design Italian. The exhibition itinerary presents over 300 objects from the permanent collection which, when related to the history of the institution, tell the story of Italian design through the reconstruction of some domestic interiors. A journey that culminates in the Design Platform, a space that hosts temporary exhibitions of young designers and new forms.

The Museum of Italian Design is a Permanent Exhibition of Triennale MIlano

The exhibition DesignUP - seamless solutions is the new thematic in-depth exploration of the permanent collection of the Compasso d'Oro award that aims to represent each product as the result of a complex system, solutions of continuity in fact, that give iconic Italian design objects their uniqueness. The exhibition project highlights the most specific features of what we now call Made in Italy, and how design culture has permeated all the different stages of the country's development.